With BLINK TWICE we traverse the sticky territories of toxic masculinity, cultural power structures, and the apology industry that has grown out those first two phenomena. While it’s script by E.T. Feigenbaum and director Zoë Kravitz sometimes hangs together with spit and baling wire, there is no denying the gut punch it delivers with suspense… Read More »
BLUE BEETLE
When a film wears its heart on its sleeve the way BLUE BEETLE does, it’s hard to dislike it. Not impossible, but very, very hard. Still, there’s a screenplay that can’t quite decide what tack to take as it moves awkwardly through plot beats that feel less like a story and more like the generic… Read More »
SUNDOWN
Potent and deliberately enigmatic, Michel Franco’ SUNDOWN doesn’t so much tell a story as put a mirror up to its audience. With a central character that never explains, only exists with his own imperturbable agenda, it is for us to project our own ideas onto him as we sort out the mysteries of his actions… Read More »
NIGHTMARE ALLEY
Flames are never far from Stanton Carlisle (Bradley Cooper), starting with those lapping near, but not too near, his heels as he exits the house that he’s just set alight over the body he’s deposited beneath the floorboards. In Guillermo del Toro’s oneiric vision of William Lindsay Gresham’s 1946 novel, NIGHTMARE ALLEY. Notice, too, the… Read More »
ANTLERS
I don’t know that I subscribe to the idea that there are some works of prose that are “unfilmable.” This is not to say that a successsful translation from one art form to another doesn’t require a certain amount of compromise around the source material. Prose, while relying on the eyes in order to absorb… Read More »
SILENCE
Academics are taught to write with a dispassionate yet highly detailed style for their scholarly treatises. That is the approach that Martin Scorsese has taken with SILENCE, his philosophically dense and immaculately rendered film of Shusaku Endo’s book of the same name. The result is a maddening film more to be admired than enjoyed as… Read More »
A Choppy CHAPPIE
CHAPPIE is a cross between Pinicchio and ROBOCOP with a dash of DISTRICT 9. That last is unsurprising because CHAPPIE is the brainchild of Neill Blomkamp, and many of the elements at work in that earlier film about the meaning of humanity are at work in this one. The battleground is still South Africa, Blomkamp’s… Read More »