HERETIC manages to be terrifying because of the very civility each of the characters shows during the slow build-up to the, ahem, crux of the film. This fable for our times is a cleverly disguised dialectic not just on faith, but on the very human need to believe in something in the face of proof,… Read More »
THE APPRENTICE
THE APPRENTICE takes as its focus the relationship between Roy Cohn and the young and hungry Donald Trump of the 1970s. This would be the callow Trump who was stifled by the long shadow cast by his father, Fred (Martin Donovan), and the utter cluelessness about how to play an all too easily rigged system… Read More »
SPEAK NO EVIL
First, we must speak of trailers that give too much away, something that dampened the exquisite terror of SPEAK NO EVIL for me. Its trailer deprives those who see it of the joy in discovering the twists and turns the story uses in order to turn the film into something other than what we expect… Read More »
DEADPOOL AND WOLVERINE
It is a fine line to walk, loving a pop culture phenomenon with all your being, yet being able to make mad sport of it at the same time. Thus is DEADPOOL & WOLVERINE, the ultimate fanboy and fangirl experience of the Marvel Universe that manages to be both wickedly funny and curiously reverent. Deadpool… Read More »
LONGLEGS
With LONGLEGS, writer/director Oz Perkins has created an original tale of horror set in the 1990s while staying true to familiar tropes. There’s an unhinged suspect, a series of family slaughters that don’t ring true to a murder/suicide scenario, and a neophyte FBI agent at the center of the case in ways she didn’t see… Read More »
IF
Click here for the flashback interview with John Krasinski for THE HOLLARS. John Krasinski’s great strength as a filmmaker is that he can capture the full spectrum of emotions, the fleeting bit of comfort in remembering a loved one who has died while the grief is still raw, or the poignant joy of remembering… Read More »
THE FALL GUY
THE FALL GUY is big fun made better by crackerjack cast and its whimsical penchant for self-reference. Based on the vintage television series of the same name, it reboots Colt Seaver (Ryan Gosling) as a stuntman for the hottest star in Hollywood, Tom Ryder (Aaron Taylor-Johnson), and madly in love with Jody Moreno (Emily Blunt),… Read More »
GHOSTBUSTERS: FROZEN EMPIRE
The important takeaway from GHOSTBUSTERS: FROZEN EMPIRE, and, if one is being blunt, the only reason for it to exist, aside from those delightful miniature Stay-Puft marshmallow imps, is the delightful discovery that Kumail Nanjiani may very well be the cinematic heir of Bill Murray. Certainly, they are the only ones who consistently seem to… Read More »
AQUAMAN AND THE LOST KINGDOM
AQUAMAN AND THE LOST KINGDOM is a tired pastiche of the super-hero/sci-fi genre most notable for being a perfect distillation of the phenomenon known as “super-hero fatigue”. Smothered by its been-there, seen-that vibe, it presents little to recommend it beyond Randall Park as both the embodiment of egregious exposition and the voice of reason. He… Read More »
WONKA
It would have been more wrong than I can enumerate not to reference 1971’s WILLIE WONKA AND THE CHOCOLATE FACTORY in its prequel, WONKA. Hence the purple cutaway coat, the top hat, and not just the only possible Oompa-Loompa song, but also the signature wistfulness of “Pure Imagination” by Leslie Bricusse & Anthony Newly. Screenwriters… Read More »
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