COCAINE BEAR is a joyously peculiar amalgam of carnage, comedy, and horror that respects few rules of cinematic storytelling aside from insuring that (spoiler alert) the dog is okay. It’s an impudent thing that thumbs its nose at convention while seeing to it that, despite broken laws and the slaughter of innocent (and not so… Read More »
NARC
NARC begins intensely with a narc’s-eye view of a bust gone bad. Everything happens too quickly and there is no time to focus on any one event, from the killing of a bystander to the killing of the perp as he attempts to take a toddler hostage, to the shooting of the toddler’s pregnant mother.… Read More »
IDENTITY
I suspect that IDENTITY wants to be more profound than it ultimately is. This adds a note of prissy pretension to an otherwise effective little thriller. Set on a dark and stormy night at a rundown motel situated on an Indian graveyard, screenwriter Michael Cooney toys with horror conventions but doesnt succumb to the clichés.… Read More »
SMOKIN’ ACES
Somewhere in Joe Carnahan’s SMOKIN’ ACES there is a really good film trying desperately to get out. Several actually. And therein lays the problem. Dashing blithely as he does through several different genres Carnahan shows moxie and a genuine flair for each one: black comedy, gut-wrenching drama, farcical silliness, and a deeply affecting morality tale. It’s… Read More »
REVOLVER
Caution! Guy Ritchie has entered his Bergman phase. Ingmar Bergman. Having stylishly plumbed the depths of the action genre with his dazzling visual style and staccato pacing as crisp as the wrong end of a machine gun, he has decided to attempt something more. And for this he should be lauded. Alas, with REVOLVER he… Read More »