It is a testament to writer/director Zach Cregger that the most ominous moment in WEAPONS, the one that does more than merely frighten, the one that is like an icepick to the brain has none of the gore with which the finale is replete. Instead, it is a POV shot from a distance of a… Read More »
GHOST TEAM
GHOST TEAM starts strong with its tropes dissecting the ennui, frustration, and quiet desperation to be found in a life of settling rather than one of following a dream. Indeed, there are moments that are so achingly precise in terms of visually translating those emotions for the screen, and in performances that are not so… Read More »
PLANET 51
PLANET 51 is a perfectly sweet film that kiddies will adore. Their adults, on the other hand, may find it more of a slog. The story is predictable, the characters are stock. Both those failings are mitigated by good, if not dazzling, animation, and a mechanical rover, cleverly named Rover, that is in the mold… Read More »
GOING THE DISTANCE
A solid underpinning of the reality of these economic times makes GOING THE DISTANCE more than just another rom-com. A pair of charismatic leads in Drew Barrymore and Justin Long invest the career-stymied lovers with real chemistry as well as a real depth of feeling that becomes more that just physical attraction. Though there is… Read More »
FOR A GOOD TIME CALL . . .
It was once written, in far less enlightened times, that when a man marries, one part of his life changes, but when a woman marries, it is her whole life that is changed. Despite significant, if not total, gains in the social and economic equality department between men and women, when it comes to romance,… Read More »
FOR A GOOD TIME CALL . . .
It was once written, in far less enlightened times, that when a man marries, one part of his life changes, but when a woman marries, it is her whole life that is changed. Despite significant, if not total, gains in the social and economic equality department between men and women, when it comes to romance,… Read More »