The religious overtones of JUDAS AND THE BLACK MESSIAH come towards the end of this searing examination of racial politics during the 1960s. And when they arrive, in a sequence that is most assuredly a shout-out to the Last Supper, director/co-writer Shaka King has earned the right, and then some, to invoke the metaphor. The… Read More »
HOSTILES
HOSTILES is a film that takes itself very seriously. It should. Taking as its themes both human nature’s capacity for violence and its overweening need for mercy, it is not something to be approached lightly, something that director Scott Cooper took to heart in his adaptation of the late Donald E. Stewart’s manuscript. Set in… Read More »