We learn many things in M. Night Shyamalan’s GLASS. We learn that the Philadelphia police department has an abysmal response time. We learn that a fully staffed psychiatric hospital has only two orderlies its employ. And we learn that James McAvoy still cries more manfully than any other actor working today. Possibly ever. He is… Read More »
X-MEN: APOCALYPSE
X-MEN APOCALYPSE is as big and bold as a special effect-laden action-adventure flick should be. It’s also audacious enough to make the story about more than leveling the planet or finding new ways to decapitate people. As with the best in this series from the Marvel Comics universe, the real enemy is the lethal combination… Read More »
VICTOR FRANKENSTEIN
VICTOR FRANKENSTEIN begins by telling us that we have heard this story before. And we have. Sort of. The Frankenstein (James McAvoy) in question is the one that built the iconic monster out of spare human parts, but it’s Igor (Daniel Radcliffe), the man scientist’s assistant, who is our narrator, and it’s from his fresh,… Read More »
X-MEN – FIRST CLASS
X-MEN FIRST CLASS begins splendidly. The subtle character development, the rich backstory rooted in real history and equally real human experience, the vibrant storyline that is both a sharp consideration of the best and worst of human nature, and a thumping good adventure. And then, once the audience has been lulled into a sense of… Read More »
ARTHUR CHRISTMAS
The holiday season is an emotional rollercoaster for many reasons and ARTHUR CHRISTMAS does a neat job of exploring many of them while still being both heart-warming and wonderfully entertaining. More than entertaining, really, this flick from the Aardman Studio has all the makings of a Christmas classic that kids can grow up with and… Read More »
TRANCE
TRANCE is a thing of grotesquely fascinating beauty, an evolved noir designed to provoke and to disturb in equal measure as it toys with the audience’s notions of absolute certainty. It begins with the winsome James McAvoy addressing the audience directly, his sadly earnest face a perfect picture of open honesty as he sets up… Read More »
ATONEMENT
ATONEMENT is as close to perfection as mere mortals can aspire to. This translation to the screen of the Booker Prize-winning novel by Ian McEwan flawlessly captures the complex and powerful play of emotions that propel the story while annotating it with a visual component that amplifies rather than distracts. The plot hinges on what… Read More »
WANTED
The question that comes to mind while watching the first big action sequence in WANTED is how in the heck are these folks going to top this? Automobiles do things Newtonian physics can barely account for and so do the people driving them. It, like the other chase scenes in this big, messy, gloriously over-the-top… Read More »