The first words heard in Christopher Nolan’s THE PRESTIGE come in a voice-over as the camera pans across an odd collection of silk top hats in disarray across a wintry landscape. It admonishes the audience to pay close attention to everything and that is excellent advice, but perhaps futile. David Attenborough, intrepid documenter of the… Read More »
FLUSHED AWAY
FLUSHED AWAY is the rude title of a sometimes rude film, but one that unswervingly hews to an ebullient sense of whimsy. Whimsy is its birthright, this being first-ever CGI Aardman effort, they of Wallace and Grommit fame. Fear not, it uses special software to deliberately include the sorts of imperfections that are inherent in… Read More »
HAPPY FEET
When it comes to moviedom, penguins are as close as it gets to a sure thing, hit-wise. This is something irresistible about this unlikely bird and the way it’s so easy to anthropomorphize its sturdy waddle and formal wear. To his credit, George Miller, director, co-author, and conceiver of the story as a whole, doesn’t… Read More »
X-MEN 2
Alas it is all too true that for the most part when it comes to filmed entertainment, we are forced to choose between spectacle and story. Think, for example, of the gulf between STAR WARS: ATTACK OF THE CLONES and THE PIANIST. X-MEN 2 presents us with a third option. First-rate and imaginative special effects… Read More »