HOSTILES is a film that takes itself very seriously. It should. Taking as its themes both human nature’s capacity for violence and its overweening need for mercy, it is not something to be approached lightly, something that director Scott Cooper took to heart in his adaptation of the late Donald E. Stewart’s manuscript. Set in… Read More »
THE BIG SHORT
If there is one point THE BIG SHORT makes, it’s that just because something has never happened before, don’t make the mistake of thinking that it can’t. And that it takes someone with the comic sensibility of co-writer Adam McKay, a director known for THE OTHER GUYS and TALLADEGA NIGHTS: THE LEGEND OF RICKY BOBBY, to… Read More »
EXODUS: GODS AND KINGS and Missing the Mark
Lovely to look at with some fine performances in a muddled execution.
TERMINATOR SALVATION
For all the explosions, gunfire, firestorms, and manly gnashing of teeth, TERMINTATOR SALVATION has an overriding weariness to it. The franchise, while robust box-office wise, has essentially been telling the same story now for a quarter of a century. A tale of time-travel, murderous cyborgs, and a father born decades after his son’s conception is… Read More »
FLOWERS OF WAR
FLOWERS OF WAR is the most expensive Chinese film to date, and unlike the Hollywood counterpart, this is not a film that relies on special effects to justify its existence. Rather, director Zhang Yimou has done here what he has always done best, tell a compelling and very human story with a rare and specific… Read More »
BATMAN BEGINS
Superheroes say much about the culture that spawned them, and so it is with the various incarnations of Batman. In the 60s, he was a pop icon with more than a little camp fluttering around his satin go-go boots. In the 80s and 90s, it was a wallow in excess with sets that duked it… Read More »
THE NEW WORLD
Terrence Malick, an auteur in every sense, has both written and directed just five films in his since 1969. As such each new work, staggeringly original in its scope and in its approach, is a cause for eager anticipation. Each finds new truths and new meanings in events that had seemed familiar, combat during World… Read More »
THE PRESTIGE
The first words heard in Christopher Nolan’s THE PRESTIGE come in a voice-over as the camera pans across an odd collection of silk top hats in disarray across a wintry landscape. It admonishes the audience to pay close attention to everything and that is excellent advice, but perhaps futile. David Attenborough, intrepid documenter of the… Read More »
HARSH TIMES
In HARSH TIMES Christian Bale and Freddy Rodriguez troll the seamiest streets of Los Angeles looking for trouble and usually finding it. If this sounds very much like writer David Ayer’s earlier screenplay, TRAINING DAY, that’s because it is. In fact, it plays like the bits and pieces that didn’t make the final edit of… Read More »
THE DARK KNIGHT
THE DARK KNIGHT is the aptly named second installment in Christopher Nolan’s sublime retelling of the Batman story. The setting may be Gotham City, but the landscape is that of the unconscious, where archetypes roam unfettered by the restraints of the waking world. This the realm of the hero’s journey, fraught with all the peril… Read More »