Spinoza once opined that you couldn’t use words to describe God, because by choosing any one or several, you would be eliminating the infinite nature of the deity. That essential inadequacy of words drives much of Christopher Nolan’s stunning film, DUNKIRK. Stunning in many sense of that word. Hence, we don’t learn that Tommy (Fionn… Read More »
BATMAN BEGINS
Superheroes say much about the culture that spawned them, and so it is with the various incarnations of Batman. In the 60s, he was a pop icon with more than a little camp fluttering around his satin go-go boots. In the 80s and 90s, it was a wallow in excess with sets that duked it… Read More »
THE PRESTIGE
The first words heard in Christopher Nolan’s THE PRESTIGE come in a voice-over as the camera pans across an odd collection of silk top hats in disarray across a wintry landscape. It admonishes the audience to pay close attention to everything and that is excellent advice, but perhaps futile. David Attenborough, intrepid documenter of the… Read More »
THE DARK KNIGHT
THE DARK KNIGHT is the aptly named second installment in Christopher Nolan’s sublime retelling of the Batman story. The setting may be Gotham City, but the landscape is that of the unconscious, where archetypes roam unfettered by the restraints of the waking world. This the realm of the hero’s journey, fraught with all the peril… Read More »
INCEPTION
Christopher Nolan spent eight years perfecting the script for INCEPTION, the first script of his that hes directed since is stunning, time-bending debut, FOLLOWING. The result is a complex meditation on the interplay between the conscious mind and the layers below it, and the insidious tendency they have to pull the strings of perception on… Read More »