It is with great relief that I report on an American remake of a fine French film that doesn’t drain me of the will to live. After DINNER FOR SCHMUCKS and FATHER’S DAY, the travesties of which haunt me to this very day, Neil Burger’s THE UPSIDE captures most of the essence of what made… Read More »
GLASS
We learn many things in M. Night Shyamalan’s GLASS. We learn that the Philadelphia police department has an abysmal response time. We learn that a fully staffed psychiatric hospital has only two orderlies its employ. And we learn that James McAvoy still cries more manfully than any other actor working today. Possibly ever. He is… Read More »
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