Jeff Baena has taken as his inspiration Bocaccio’s Decameron for his sly gem of a film about female frustration and empowerment, THE LITTLE HOURS. That 14th-century book is full of bawdy tales of people from all stratas of society behaving badly, and so they do in this film set very specifically in 1347. Like the… Read More »
THE LINCOLN LAWYER
THE LINCOLN LAWYER is a smart, taut, and well-told neo-noir. The setting is Los Angeles, among the low-lifes and the well-to-do, where they meet and the consequences thereof. It follows the formula for such genre flicks, but has an impudent originality in the telling. The titular lawyer, Michael Haller (Matthew McConaughey) is a savvy practitioner… Read More »
ONLY GOD FORGIVES
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SECRET WINDOW
There are many things wrong with SECRET WINDOW, the latest in a long line of failed adaptations of a Stephen King opus. Top of the list would be how ridiculously easy it is to figure out the twist that I think was supposed to leave us gasping. While not an insurmountable obstacle, it is a… Read More »
ANNAPOLIS
The first question that comes to mind after watching ANNAPOLIS is this. If the powers behind this pasteboard mockup of a film wanted to remake AN OFFICER AND A GENTLEMAN, why didn’t they just go ahead and do that? The second question, why if they wanted to remake ROCKY, didn’t they just go ahead and… Read More »
THE BLACK DAHLIA
There are so many missteps in Brian De Palma’s THE BLACK DAHLIA that one hardly knows where to start. Perhaps the best place is with the adaptation of James Ellroy’s novel of the same name. The book is a rich and vibrant work that provides too much fodder for a two-hour film to capture. Instead… Read More »
BREACH
In a moment of supreme and unintentional irony, Robert Hanssen, the quarry in BREACH, tells his assistant, Eric O’Neill, who doesn’t know yet what his real assignment concerning Hanssen is, that he was never interested in making headlines, only history. Of course, they will shortly be making both, but neither of them is aware of that yet.… Read More »
GRAY MATTERS
GRAY MATTERS, alas, doesn’t. At least not when it comes to making a comedy about the heartbreak of love. It is, rather, a collection of fragments of ideas that fail to coalesce in any meaningful way. The result is dull, contrived, obvious, and at 96 minutes, seemingly endless. Heather Graham and Thomas Cavanagh play Sam… Read More »
CHAOS THEORY
CHAOS THEORY is a torpid piece of filmmaking that is at once a fluffy drama and a dreary comedy. Like its hero, Frank (Ryan Reynolds), it’s decided never to make a definite decision and the shambles that results is as predictable as the story of which it is part. The story is told in flashback,… Read More »