65 is that most satisfying of CGI films, the type that doesn’t wallow in what it can do visually, but rather uses the technology in furtherance of a moving film. It posits a visit to our planet 65 million years ago by humans who arrive at a momentous moment for our big blue marble. The… Read More »
65
INFINITY POOL
With INFINITY POOL Brandon Cronenberg continues his father’s great tradition of unsettling images and quasi-familiar realities. He diverges in that, for all the normalization of the disquieting, in that he fails to evince the same undertone impish glee at the macabre so evident in even the elder Mr. Cronenberg’s darkest works. Still, he… Read More »
AVATAR: THE WAY OF WATER
And so, after a gap of over 13 years, James Cameron returns us to Pandora with an introduction that posits the most dangerous thing about that locale is that you may come to love her too much. Cameron is quite obviously smitten with his mythical planet whose inhabitants, the 8-foot-tall Na’avi, are more in tune… Read More »
BLACK ADAM
Until now, BATMAN VS SUPERMAN has been the nadir of DC’s excursions into cinema. Now it has lost even that paltry distinction with the onset of BLACK ADAM, a film with much sound and fury that signifies nothing. Not even Dwayne Johnson, one of the most charismatic movie stars working today can right this shipwreck,… Read More »
HOCUS POCUS 2
If you were even mildly enchanted, amused, chilled, or any combination of those three, by the original HOCUS POCUS, I beg you to avoid the sequel at all costs. It is a travesty of a flick, and an insult to that darkly whimsical tale of 29 years ago. To remind you, it introduced us to… Read More »
PREY
It’s a darn shame that PREY will not be coming to a theater near you soon. It’s not just the wide shots of the gorgeous vistas to be found on the Canadian Great Plains that make this so very big-screen worthy. Nor is it the nifty effects that we’ve come to know and love with… Read More »
NOPE
NOPE is what OJ Haywood says when he sees something that does not sit well with him, be it what appear to be tiny visitors from another world invading his stable, or the offer to sell the family spread after a freak accident kills his father (David Keith). As played by Daniel Kaluuya, he is… Read More »
THOR: LOVE AND THUNDER
It’s not that THOR: LOVE AND THUNDER is unwatchable. Quite the contrary. The special effects are stupendously unrestrained. The story is adorable, leaning towards a good-natured spoof of superhero movies as practiced in the 2020s. The performances can’t be faulted, even if Christian Bale as the god-hating ex-acolyte out for revenge is far darker, and… Read More »
THE BLACK PHONE
The horror in THE BLACK PHONE, and very effective horror it is, comes not primarily from the serial child killer on the loose in a suburban enclave of Denver in 1978. Played with a geeky, creepy panache by Ethan Hawke, The Grabber, as he is dubbed by the police and the populace of this all-American… Read More »
JURASSIC WORLD DOMINION
At two hours and twenty-six minutes, JURASSIC WORLD DOMINION is as hefty as the ginormous terrestrial behemoths that feature prominently in it, and it is just as ungainly. It lumbers along using the intertia of its sheer mass to propel along a story that is as dedicated to calling out classics as it is to… Read More »
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