Again let us praise the giddy delight that the minions provide. Sure, they have trouble carrying their own films, but as the dada-esque relief, particularly of a middling film, they are a tonic for the soul that gives us the strength to hang on until the final credits, where they provide some of the best… Read More »
IF
Click here for the flashback interview with John Krasinski for THE HOLLARS. John Krasinski’s great strength as a filmmaker is that he can capture the full spectrum of emotions, the fleeting bit of comfort in remembering a loved one who has died while the grief is still raw, or the poignant joy of remembering… Read More »
WELCOME TO MARWEN
There is little that tugs more insistently at my heartstrings, cinematically at least, than a film that genuinely means well and falls short. And so it is with WELCOME TO MARWEN, a showcase of CGI and of Steve Carrell’s dramatic chops, but of little else. The story is based on the life of Mark Hogencamp,… Read More »
THE BIG SHORT
If there is one point THE BIG SHORT makes, it’s that just because something has never happened before, don’t make the mistake of thinking that it can’t. And that it takes someone with the comic sensibility of co-writer Adam McKay, a director known for THE OTHER GUYS and TALLADEGA NIGHTS: THE LEGEND OF RICKY BOBBY, to… Read More »
DATE NIGHT
One tiny slip from the straight and narrow can have devastating long-term consequences. That’s the lesson that the Fosters (Steve Carrel and Tina Fey) learn during the light-hearted yet deadly escapades involved in DATE NIGHT. The material itself isn’t the most substantial, and there are distinct echoes other flicks, think THE OUT OF TOWNERS, or… Read More »
DESPICABLE ME
In DESPICABLE ME, the direct honesty of childhood innocence, in the form of three orphan girls, goes head to head with the evil machinations of a super villain feeling his evil competition nipping at his heels, usually with marine life. The result is a smart, funny, and perceptive animated film that dresses up its unabashed… Read More »
DINNER FOR SCHMUCKS
The greatest crime committed by DINNER FOR SCHMUCKS, and there are many, is that it might prevent the viewers who have suffered through it to never discover the original, Francis Vebers delicious LE DINER DE CONS, on which it was based. An original of which the re-makers have completely missed the point. Of course, Americanizing… Read More »