Let us praise the genius of Sandra Bullock’s gift for physical comedy. It makes even the small business of teetering on a stool in a fuchsia-sequined jumpsuit an epic of determination, embarrassment, grit, and uncertainty. It is in no small part that THE LOST CITY, on which she was also an executive producer, is such… Read More »
OCEAN’S 8
So maybe you have a film franchise that is running out of steam. Maybe one of the stars wants out. Maybe his character was killed off to accommodate that. Maybe an actress has an idea for reviving that franchise with some panache and a dash of ovarian power. You can’t help thinking that one of… Read More »
OUR BRAND IS CRISIS
OUR BRAND IS CRISIS is an oft told tale of political machinations played in the vacuum of the zero-sum game that is the electoral process in modern times. In it, we are reminded, candidates are products, issues are what the spin-meisters dictate, and the public is there to provide the score card used by which… Read More »
A MINIONS of Diminishing Returns
It must have seemed like such a good idea. Take the loveable little yellow minions from DESPICABLE ME and star them in their own movie. Certainly the eponymous MINIONS features much of what made them so irresistible. There’s that burbling mélange of human and Minion-esque language. The ebullient nature, the eagerness to please, and that… Read More »
THE PROPOSAL
What almost saves THE PROPOSAL from itself is a pair of performances by Sandra Bullock and Ryan Reynolds that have a bold and bracing bite of snarkiness to them. Alas, the formulaic nature of the script requires that they both warm up to each other and in the process, while their characters find true love,… Read More »
THE BLIND SIDE
THE BLIND SIDE takes what in lesser hands would have been a prime example of the hopelessly hackneyed and saccharine sub-genre of holiday feel-good flick, sports division, and, instead, makes of this uplifting true story a refreshingly sober film that brings good and surprisingly wholesome good cheer. The true story is of how Michael Oher… Read More »
GRAVITY
Alfonso Cuarons GRAVITY is a masterpiece of both action and psychology. It is a film that sends its audience home with many things to ponder, and many lessons learned. It also sends that audience home with a whole new appreciation of air, and Im not sure thats an accident. So abundant here on the surface… Read More »
THE PRIME MINISTERS: THE PIONEERS
History is full of a few objective facts, and a plethora of impressions and opinions. The former tells the undisputed truth of what happened, the latter is the insight into how those things happened. And one persons truth in that sense is not necessarily that of another. Subjective, personal, and colored with the baggage of… Read More »
MISS CONGENIALITY II — ARMED AND FABULOUS
What buoyed the wafer thin plot of MISS CONGENIALITY was Sandra Bullocks ability to mug and klutz her way through the role of an FBI tomboy ugly duckling turned reluctant swan. Enduring the indignities of waxing, lip liner, and high heels in pursuit of the bad guy was a story that offered no surprises, but… Read More »
THE LAKE HOUSE
It’s not that THE LAKE HOUSE, based on the Korean film SIWORE, is an insipid bit of romantic fluff, it’s just that it drags by much like the two-year gulf between our chronologically crossed would-be lovers. And when a film is 108 minutes long, that’s not a good thing. Never mind that its own internal logic starts to… Read More »