There is a great deal of mileage to be had with characters as intrinsically adorable the Minions. And MINIONS: THE RISE OF GRU takes it as far as it can go with a script that wobbles as uncertainly as Otto, the most loyal and least competent of little yellow creatures, does on the steep streets… Read More »
LAST CHRISTMAS
LAST CHRISTMAS is a lugubrious exercise in muddled storytelling. Billed as a romantic comedy, there is little humor to be found as the romance between a klutz who’s lost her way in life, and the handsome stranger who pops in and out of that life fails to ignite past the infamous friend zone. The klutz… Read More »
CRAZY RICH ASIANS
The rom-com as a genre has suffered much in the last decade or so due to a surfeit of agonizingly insipid cinematic attempts. So when one comes along that reminds us what a good one is like, it is a cause for celebration. And so it is with CRAZY RICH ASIANS, based on Kevin Kwan’s… Read More »
MORGAN
MORGAN is a high-minded film that wants us all to ponder what it means to be human. Alas, the most ponder-worthy thing in this film, which once again shows the result of humankind playing God, is wondering how Kate Mara managed to do all that running through the piney woods in those very high heels. … Read More »
BABYLON A.D.
Overbudget and behind schedule, BABYLON A.D. crept into theaters without a press screening. This never bodes well and this would-be epic lives up, or down, to that boding. Vin Diesel stars as Toorop, a mercenary in the Russia of the not-too distant future. Not your typical mercenary, though. Sure, he’s tough, sure he’s intimidating, sure… Read More »
MEMOIRS OF A GEISHA
MEMOIRS OF A GEISHA attempts to take the admittedly addicting soap opera that was the book and elevate into something on a higher plane of artistic existence. It fails. What was best about the book, an innocent girl caught up in the pure grasping evil of the geisha universe complete with all the nitpicky yet… Read More »
SUNSHINE
With SUNSHINE, Danny Boyle once again switches film genres with a masterly touch. Having explored gritty realism with TRAINSPOTTING, social satire with SHALLOW GRAVE, whimsical fantasy with MILLIONS, and apocalyptic horror with 28 DAYS LATER, he has moved on to science fiction, albeit science fiction that also functions as a white-knuckle thriller. For all the… Read More »