It is like cinema has burst forth into the full flower of distinctly new genre, this one about the zeitgeist’s paranoia about AI. Never mind it taking jobs. The very worst it can do is infantilize us into a state of perpetual psychological impotence. The emergence of this genre was a slow build from the… Read More »
A WORKING MAN
There are rules for a Jason Statham film, at least the ones that inhabit that subgenre of action film that he has carved out for himself. A WORKING MAN follows all of them all, because a formula that (usually) works is worth respecting. They include Mr. Statham playing a decent man longing for a quiet… Read More »
MOONFALL
MOONFALL is everything that a Roland Emmerich film should be. There are dazzling special effects. There are several plot threads happening simultaneously that occasionally show a puckish confluence. There are parent-child issues. And there is a huuuuuuuuuge story. This time, it’s the curious case of the moon shifting its orbit in a way that defies… Read More »
THE MARTIAN
THE MARTIAN asks some tough metaphysical questions as it answers some thorny scientific problems with nifty solutions. What’s worth living for? What’s worth dying for? And why should giving up never be an option? The premise is daunting. Mark Watney (Matt Damon), ace botanist and member of the Ares 3 exploratory expedition to Mars in… Read More »
BATTLE LOS ANGELES
BATTLE LOS ANGELES is a rousing and rip-roaring action flick expertly crafted by people who know what they are doing. And by that, is meant that rather than actively fighting the clichés inherent in this genre, they have consciously, even joyously, embraced them. By doing so, they revisit why the clichés have persisted, and by… Read More »
WORLD TRADE CENTER
In this offering from the fecund imagination of Oliver Stone there is no hyperbole, no bombast, and no vast paranoid conspiracy. Instead, with World Trade Center, he has turned his considerable gifts, and using actual events, to recreate what it was like to be at Ground Zero, literally and figuratively, on the day that everything… Read More »
SHOOTER
At some point during an action/adventure/thriller flick, the audience is forced to make a choice about the suspension of disbelief. If the film in question is either a strict, but smartly written procedural or an over-the-top fantasy, such decisions are easy. Think the impudent hyperbole of 24 or the taut psychological games of BREACH. Alas,… Read More »