I am not familiar with the video game on which ASSASSIN’S CREED is based, so I cannot speak to whether or not this cinematic translation has captured its essence. I can speak, however, to the befuddling bifurcation of said translation. Part straight-up action film, part would-be contemplation of the pros and cons of free will,… Read More »
ALLIED
There is an artistic license that we allow films that sweep us along when their emotional resonance is overpowering. Minor plot points that aren’t resolved, or factual errors. For an example of the latter, one need look no further than the Letters of Transit, desired by so many in CASABLANCA. No such thing. Yet it… Read More »
NINE
NINE, the film adaptation of the musical adaptation of Federico Fellini’s 8 1/2 is an interesting film for many reasons. The most striking is the one that sinks the venture, and that would be discovering that Daniel Day Lewis, an actor of considerable power, has his limits. Astounding with only his left foot to work… Read More »
MIDNIGHT IN PARIS
The only real misstep in Woody Allens MIDNIGHT IN PARIS is, unfortunately, in the opening montage that shows the City of Lights progressing from morning to evening. While there is no denying that this is a city of seemingly limitless picturesque vistas that range from the familiar to the novel, Allen is entranced by too… Read More »
LA VIE EN ROSE (LA MOME)
Edith Piaf was no ordinary singer. She lived live at a fever pitch, driven by demons from her horrific childhood, and cruel twists of fate that together drove her to an early grave. No ordinary bio-pic would do to capture the essence of what Piaf was, rather than what happened to whom and when. And… Read More »