The reason that THE ROSES succeeds so well as a romcom, one that dares to be more sentimental than the original, is that it heightens two things. The sense of emotional as well as physical danger that the eponymous couple suffer during their marital breakdown, and the emotional depth that Benedict Cumberbatch and Olivia Coleman… Read More »
BARBIE
At one point in BARBIE, Greta Gerwig’s pink-plastic jab at the patriarchy, America Ferrara, as Gloria, an ordinary woman, gives an impassioned précis on exactly what women face in the current social climate. It is a clarion call that should reverberate through the ages and one that will, like the film in which it appears,… Read More »
THE SPY WHO DUMPED ME
There is much that is very right with THE SPY WHO DUMPED ME. There is also much that is very wrong with it. It makes for an irksome cinematic experience in which one finds oneself rooting for the flick to pull itself together before the final credits. Spoiler alert, it doesn’t happen. The kitschy-coo title… Read More »
GHOSTBUSTERS
There are many, many things to love about the GHOSTBUSTERS reboot, and one of them is that it is equally good whether you are a fan of the 1984 version, or if you’ve never heard of it. Director and co-writer (with Katie Dippold) Paul Feig, the man who brought us THE HEAT (co-written with him… Read More »