IT ENDS WITH US, based on the novel by Colleen Hoover, follows blandly in the grand tradition of the Women’s Films of Hollywood’s Golden Age. In it, we meet the effulgently monikered Lily Bloom, a woman with a troubled childhood who is returning home through the exquisite New England autumnal landscape to bury her father.… Read More »
THE SUNLIT NIGHT
Thus begins her journey, artistic and literal, in this understated yet study of art and life that is sharp, uncompromising, and suffused with mordant humor amid the tragedies and quirks of la vie quotidienne.
VENOM
We none of us, least of all your humble correspondent, lives in a vacuum. So perhaps it’s because I’ve recently seen THE PREDATOR that the mere, yet aggressive, mediocrity of VENOM did not make for a completely awful cinematic experience. Which is not to say that this ploddingly plotted effort is good, but for sheer… Read More »
LANDLINE
In a perfect world, Jenny Slate would be America’s undisputed sweetheart. With her lopsided smile and quixotic lunges at happiness that strew confusion in the wake of good intentions, she is the quintessence of a good person confused by a zeitgeist that provides many options, but few guidelines. Reuniting with her OBVIOUS CHILD director/writer… Read More »