Click here for the flashback interview with Bart Layton for AMERICAN ANIMALS. Sometimes an ending can make or break a film. And so it is with CRIME 101, a thoughtful meditation on what happens when following the rules just doesn’t pay off. The payoff to a narrative that could have used some tightening is not… Read More »
THOR: LOVE AND THUNDER
It’s not that THOR: LOVE AND THUNDER is unwatchable. Quite the contrary. The special effects are stupendously unrestrained. The story is adorable, leaning towards a good-natured spoof of superhero movies as practiced in the 2020s. The performances can’t be faulted, even if Christian Bale as the god-hating ex-acolyte out for revenge is far darker, and… Read More »
MEN IN BLACK INTERNATIONAL
When a once profitable film franchise begins to fade, the studios that have reaped the benefits of same are left with little choice about how to handle it. With so much money at stake, both in ticket sales and ancillary merchandise on the line, they can’t just let it slip away with dignity. No, they… Read More »
AVENGERS: ENDGAME
The stakes have been raised so many times with event flicks that, when approaching one, hope is always tempered with experience about what to expect, to paraphrase Samuel Johnson. With AVENGERS: ENDGAME, though, hope wins out. The spectacle is everything it should be, and the story, of necessity a meandering thing, is nonetheless sustained by… Read More »
BAD TIMES AT THE EL ROYALE
Drew Goddard crafts tales that are multi-layered and philosophically challenging. From his days in the Whedon-verse to the deliciously exercise in meta-text, CABIN IN THE WOODS, there is always much more going on than the surface narrative. And so it is with BAD TIMES AT THE EL ROYALE, which may not be the flawless wonder… Read More »
AVENGERS: INFINITY WAR
For sheer value-for-money, you can’t top AVENGERS: INFINITY WAR. It’s pure entertainment with an endless parade of the kind of whiz-bang special effects, not quite sloppy sentiment, and a constant barrage of the quips and banter that define grace under pressure in the Marvel Universe. Plus, pretty much everyone from the MCU finds his or… Read More »
GHOSTBUSTERS
There are many, many things to love about the GHOSTBUSTERS reboot, and one of them is that it is equally good whether you are a fan of the 1984 version, or if you’ve never heard of it. Director and co-writer (with Katie Dippold) Paul Feig, the man who brought us THE HEAT (co-written with him… Read More »
IN THE HEART OF THE SEA
No one knows why a whale of unusual coloration destroyed the whaling ship Essex in 1820. Certainly, nothing of the sort had been reported before, though whaling ships had been aggressively hunting the largest animal to ever live on earth ever since the discovery that whale oil could be used to light lamps and heat… Read More »
THOR
THOR is an exuberant blend of spectacle and fun. More in keeping with vintage Saturday morning movie serials than the fantasy and sci-fi blockbusters of more recent date, it is, nonetheless, not lacking in nifty special effects to showcase its stalwart heroes, black-hearted evil-doers, and the fine comic relief in the form of a slacker… Read More »
SNOW WHITE AND THE HUNSTMAN
It was certainly an intriguing enough idea, even a bold one, turning the Evil Queen in SNOW WHITE AND THE HUNTSMAN in the tragic hero of the piece. It smacks of Miltons re-interpretation of Lucifer in Paradise Lost. Alas, a smack is as far as it goes here. Director Rupert Sanders is no Milton, and… Read More »