Academics are taught to write with a dispassionate yet highly detailed style for their scholarly treatises. That is the approach that Martin Scorsese has taken with SILENCE, his philosophically dense and immaculately rendered film of Shusaku Endo’s book of the same name. The result is a maddening film more to be admired than enjoyed as… Read More »
THE HANDMAIDEN (Ah-ga-ss)
Based on Sarah Water’s novel Fingersmith, Chan-Wook Park’s THE HANDMAIDEN hornswaggles its audience with its opening scenes, and then continues on for its running time to continually confound, shock, and gratify that same audience. Told in four separate chapters that each covers roughly the same action, reality becomes a series of preconceived notions that are… Read More »
AMERICAN PASTORAL — Ewan McGregor Interview
Ewan McGregor had just spent the previous 24 hours flying in from London and then hosting a Q&A for his film, AMERICAN PASTORAL, at the Mill Valley Film Festival, but adrenalin got the better of fatigue when I spoke with him on October 10, 2016. The film charts the life of a Jewish-American golden boy… Read More »
A MAN CALLED OVE (En man som heter Ove)
When we meet the title character of A MAN CALLED OVE, he is having a very bad day. Squabbling with shop clerks, policing his neighbors regarding littering and pets, and being fired at almost 60 from the job he’s had since he was 16. Ove’s face is a study in dour dyspepsia, and his attitude… Read More »
MISS PEREGRINE’S SCHOOL FOR PECULIAR CHILDREN
I have not read the eponymous novel on which MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN Is based, but a quick check of the of the Wikipedia entry for it reveals that for the screen adaptation many of the characters have been modified and plot point changed. This is not uncommon, and when the original source… Read More »
THE LEGEND OF TARZAN
Credit where it’s due. THE LEGEND OF TARZAN doesn’t get everything wrong. For one, It has the virtue of addressing why a perfectly capable, perfectly intelligent black man with a Ph.D., George Washington Harris (Samuel L. Jackson as an actual historical character) needs a white man, that would be Lord Greystoke aka Tarzan (Alexander Skarsgård)… Read More »
OUR KIND OF TRAITOR
John le Carré writes espionage stories in which the action is cerebral and the suspense comes from a keen observation of each protagonist’s character. Thus, the stakes in OUR KIND OF TRAITOR involve much more than the list of names that will topple those in power. They involve the people caught up in the intrigue… Read More »
HIGH-RISE
There is nothing subtle about HIGH-RISE, a savage allegorical satire of manic energy and pointed symbolism. Based on the novel of the same name by J.G. Ballard, it stars Tom Hiddleston as an urbane neurologist about to discover his place in the social order, and Jeremy Irons as The Architect (how Masonic?), the emotionally constipated… Read More »
A HOLOGRAM FOR THE KING
Tom Hanks once again reminds us that he is the quintessential American Everyman with a deeply affecting turn as the symbol of modern American enterprise in A HOLOGRAM FOR THE KING, based on the novel of the same name by Dave Eggers, and adapted by Tom Tykwer. Think of it as an updated version of… Read More »
Jeffrey D. Brown & Sushmita Mukherjee Talk How SOLD Changed Their Lives
Director Jeffrey D. Brown and co-star Sushmita Mukherjee wanted to do more than make a film, they wanted to make a difference for the kids like the one depicted in SOLD. That’s why they have partnered with NGOs, and are aiming for more than a run-of-the-mill theatrical release. In that spirit, there are links to several of… Read More »
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