Most people get that slap upside of the head called reality when they leave school. For Jerome Platz (Max Minghella), it’s when he starts school, art school, that is, Strathmore Institute, to be precise, the art school of his dreams and the venue for Terry Zwigoff’s ART SCHOOL CONFIDENTIAL, based on the comic book of… Read More »
STEP UP
STEP UP is a surprisingly wholesome bit of fluff with an amiably charismatic cast and a script that should be cited for violating the basic tenets of solid scriptwriting. Uneven, undecided, and rife with everything except aliens from space and a natural disaster, it’s further hobbled by cliches, bouts of stale dialogue, inadvisable turns into… Read More »
CONVERSATIONS WITH OTHER WOMEN
A chance meeting between two strangers (Helena Bonham Carter, pretty in pink, and Aaron Eckhart, suave in a tux) at a wedding reception in New York City starts the action in CONVERSATIONS WITH OTHER WOMEN, a slippery delight with as much tension as a standard thriller, but the smarts of a literate drama, both of which… Read More »
THE HOLIDAY
Jude Law is glib. Cameron Diaz is perky. Kate Winslet is tragic in a perfect serio-comic way. They’re all gorgeous. And Jack Black, well, it’s hard to say what exactly he is doing in THE HOLIDAY as the object of Winslet’s eventual attraction. Writer/director Nancy Meyers certainly can’t be accused of typecasting by injecting Black,… Read More »
FAY GRIM
FAY GRIM dances through so many levels that while one viewing is sublime, several are a giddy revelation, each one more so than the last.
VITUS
The secret life of children is fertile territory. The unsullied logic of those for whom preconceived notions and ossified received wisdom are phenomenon yet to come make for a piquant commentary on both. The innocence, the unrestrained emotion, and the intellect unfettered by the conventions of society are a potent combination in VITUS, a delightful… Read More »
NO RESERVATIONS
NO RESERVATIONS is a prime example of everything that is wrong with Hollywood remakes of terrific foreign language films. Take challenging characters, piquant situations, homogenize the high heckola out of them and, poof, everything that was wonderful in the original is gone. To be fair, even without knowing MOSTLY MARTHA, said original, there is little… Read More »
ROCKET SCIENCE
Rites of passage come in many forms, and for Hal (Reece Daniel Thompson), the game but hapless hero of ROCKET SCIENCE, that rite is pizza. Specifically, being able to overcome his stutter long enough to form the words to place the order before a lesser option is forced upon him by the bored lunch ladies… Read More »
THE JANE AUSTEN BOOK CLUB
At one point during THE JANE AUSTEN BOOK CLUB, based on the novel by Karen Joy Fowler, one member of the eponymous club watches another burst into tears and run into another room over an Austenian point. “Reading Jane Austen is a minefield” she opines, and so it is. Not because the subject matter of… Read More »
FIERCE PEOPLE
There is little in life sadder to see than a film that thinks it has a great deal to say of a revelatory or profound nature, but doesn’t. And thus is it with FIERCE PEOPLE, which stretches metaphors beyond their inherent tensile strength in order to inform its audience that the rich are different. As… Read More »