There may be no more twisted filmmaker working today than Eli Roth. I say that with admiration and with affection. Since introducing himself with CABIN FEVER in 2002, he has honed his skill at creating a perfect storm of horror, satire, and human drama. And so it is with ICE CREAM MAN, a subversive gloss… Read More »
DISCLOSURE DAY
Before attending DISCLOSURE DAY, and you certainly should in order to see it on the biggest screen available, it is important to remind yourself that this is a Steven Spielberg film. This is not a bad thing. This is SCHINDLER’S LIST Steven Spielberg. This is E.T. and CLOSE ENCOUNTERS Steven Spielberg. This is LINCOLN Steven… Read More »
GODZILLA MINUS ONE
GODZILLA: MINUS ONE returns to the original, post-war iteration of the iconic kaiju. Not with the special effects that bring the mountainous monster to life, but rather with the zeitgeist of those times fueled by the sense of futility over the war just lost, and the conviction that the government had betrayed its people. As… Read More »
GRAN TURISMO
You have to wade through a great deal of treacle in GRAN TURISMO before you get to part of the film that really works. Based (very loosely) on the true story of the gamer who became a race car driver, the first act plays like a very well executed cliché, albeit with a superbly edited… Read More »
SWEET BEAN (AN)
SWEET BEAN is a deeply affecting tale of finding happiness by finding meaning. After watching this charmer, you might be tempted to try your own hand in creating a dorayaki, the pancake stuffed with sweet bean filling around which the story of three lonely people revolves. In fact, I defy you to resist. Cherry blossoms… Read More »
THE TRUTH (La Vérité)
In Hirokazu Koreeda’s last film, the Oscar®-nominated SHOPLIFTERS, he incisively examined the ethics of capitalism, and its effects on one poverty-stricken, yet devoted, ragtag family ingeniously doing battle with a system designed to keep them down economically. In THE TRUTH, he moves the action from Tokyo to Paris to examine the ethics of veracity on… Read More »
GODZILLA: KING OF THE MONSTERS
For most of GODZILLA: KING OF THE MONSTERS, the eponymous monsters pretty much go about their business without taking any notice of the small, scuttling humans that flee in their wake. For their part, the humans, when they are not scuttling, are providing the exposition between bouts of special effects eruptions. Hence, if you don’t… Read More »
SHOPLIFTERS (MANBIKI KAZOKU)
Palme d’Or winner SHOPLIFTERS is a radical deconstruction of family values in a world of dubious ethics. Set amid the throwaways of society, in this case Japan, it finds warmth and togetherness where we would least expect it, and from a family that is not so much scamming the system as they are a family… Read More »
THE RED TURTLE
We are reminded in THE RED TURTLE how superfluous words can be. This animated fable from Studio Ghibli, aimed more at adults than at children, is a thoughtful film about the cycle of life, and a sublime cinematic achievement. A masterpiece, in fact. Starting with a shipwreck, it tells the story of a castaway marooned… Read More »
KAMPAI! FOR THE LOVE OF SAKE
Full disclosure. KAMPAI! FOR THE LOVE OF SAKE will make you want to seek out your nearest sake tasting. This, ahem, intoxicating documentary about the national drink of Japan, and the people who have made it their life’s work, is a paean to more than just rice wine. It is a consideration of tradition in… Read More »