BLACK BAG is a scathingly brilliant take on truth, lies, and the sanctity of marriage, and the perfect vehicle for Cate Blanchett and Michael Fassbender. A good marriage that is, such as the one enjoyed by George Woodhouse (Fassbender) and Kathryn St. Jean (Blanchett), British spies with the highest security clearance They are the perfect… Read More »
NO TIME TO DIE
And so we have come to the end of Daniel Craig’s tenure as 007. NO TIME TO DIE provides both him and us, with a veritable cornucopia of Bond-ness, from a supervillain’s lair on a remote island, to the finely honed quip we’ve come to expect as James takes out a minion with yet another… Read More »
VENOM: LET THERE BE CARNAGE
Just as I was thinking what a waste Tom Hardy was in VENOM: LET THERE BE CARNAGE, I remembered that Mr. Hardy, who was so impressive in INCEPTION, MAD MAX: FURY ROAD, THE DARK KNIGHT RISES, and a slew of other films, co-produced this sequel to VENOM, and also came up with the story. The… Read More »
OUR KIND OF TRAITOR
John le Carré writes espionage stories in which the action is cerebral and the suspense comes from a keen observation of each protagonist’s character. Thus, the stakes in OUR KIND OF TRAITOR involve much more than the list of names that will topple those in power. They involve the people caught up in the intrigue… Read More »
SPECTRE
There are very specific things we want in a James Bond film. Great action, dastardly villains who are larger than life and twice as buggy, and Bond girls who have evolved over the years to be a bit more than merely a pulchritudinous interlude. In Bond, as incarnated by Daniel Craig, we want a steely… Read More »
28 DAYS LATER
At one point in 28 DAYS LATER, a character makes the salient point that from a geological viewpoint, the reign of human beings on planet Earth is barely a blip on the radar of existence. Humans might, indeed, be thought of as an anomaly and their disappearance could be construed as a return to normalcy.… Read More »