The stakes have been raised so many times with event flicks that, when approaching one, hope is always tempered with experience about what to expect, to paraphrase Samuel Johnson. With AVENGERS: ENDGAME, though, hope wins out. The spectacle is everything it should be, and the story, of necessity a meandering thing, is nonetheless sustained by… Read More »
AVENGERS: INFINITY WAR
For sheer value-for-money, you can’t top AVENGERS: INFINITY WAR. It’s pure entertainment with an endless parade of the kind of whiz-bang special effects, not quite sloppy sentiment, and a constant barrage of the quips and banter that define grace under pressure in the Marvel Universe. Plus, pretty much everyone from the MCU finds his or… Read More »
NOW YOU SEE ME 2
The best caper films keep us guessing even while we’re watching the caper in progress. In that way, NOW YOU SEE ME 2 succeeds admirably. The return of the The Horsemen, a band of underground magicians dedicated to truth, justice, and outsmarting everyone around them, including each other, provides several set pieces that are fine… Read More »
SPOTLIGHT
SPOTLIGHT does more than dissect the passions at work in the investigative news process. As riveting as the specifics are of how The Boston Globe’s special investigative team chased down the sex-abuse scandal in the Catholic Church, it’s the larger question, that of how wide-spread sexual abuse of children by priests could have flourished for… Read More »
BLINDNESS
BLINDNESS, based on the novel of the same name by Jose Saramgo, takes away one of the five sense in order to examine the larger picture of humanity. It’s not the newest of conceits, nor is it the most original. Removing one item from ordinary life and speculating on the outcome is a time-honored premise.… Read More »
THE BROTHERS BLOOM
The successful con is the one where everyone gets what they want. Its a statement that is profound in its simplicity. The same is true of THE BROTHERS BLOOM, where the premise is postulated and then proven with a deceptively simple plot that hides in plain sight. The brothers in question are Stephen (Mark Ruffalo)… Read More »
SHUTTER ISLAND
It’s no great trick to work out the twist in SHUTTER ISLAND, nor is having done so any great hindrance to enjoying this latest collaboration between Martin Scorsese and Leonardo DiCaprio. In fact, the clues judiciously scattered throughout the film all but demand that the audience figure out that one small piece of the puzzle… Read More »
MARVEL’S THE AVENGERS
MARVELS THE AVENGERS is an audaciously ambitious film with a singularly Herculean task. It must take the disparate superheroes of previous films, their unique tones and styles, and mold them into a cohesive work. Its not unlike the plot of the film itself, which finds Shield, the super secret organization that keeps the Earth safe… Read More »
NOW YOU SEE ME
NOW YOU SEE ME begins with a giddy sense of mischief and ends with a contrivance that bespeaks the desperation of failing to plan for a proper ending. In between, it quietly devolves from slam-bang fun to barely coherent as four magicians lead the FBI and a debunker on a merry chase through ancient mysticism… Read More »
THANKS FOR SHARING
Fifty-plus years after THE DAYS OF WINE AND ROSES, you would be forgiven for thinking that a contemporary film on a similar topic would have something new, or trenchant, or revelatory, or even different to say about addiction. Alas, THANKS FOR SHARING is the one that demands the forgiveness. This is a pasteurized, cliché-ridden piece… Read More »