For all the meticulous detail in THE EYES OF TAMMY FAYE about the early life of Tammy Faye Bakker, this biopic about the rise of fall of Jim and Tammy Faye Bakker has an ending that is curiously sparse. It’s not just Tammy Faye’s second marriage to Roe Messner that is erased, though he does… Read More »
DARK PHOENIX
Is this really how it all ends? A ragged bit of doggerel to finish out the cinematic X-Men saga? Or at least this incarnation of same. What started as a trenchant study of human nature at its best and worst, as well as a scathingly good time at the movies has, with DARK PHOENIX, devolved… Read More »
CRIMSON PEAK
If CRIMSON PEAK offered nothing more than the creepiest bathtub specter since THE SHINING, it would still qualify as a monstrously entertaining film. But this is Guillermo del Toro directing and co-writing, and so the lushness of subtext mirrors the classically Gothic idiom of the story. The paranormal is the least disturbing of the elements… Read More »
THE MARTIAN
THE MARTIAN asks some tough metaphysical questions as it answers some thorny scientific problems with nifty solutions. What’s worth living for? What’s worth dying for? And why should giving up never be an option? The premise is daunting. Mark Watney (Matt Damon), ace botanist and member of the Ares 3 exploratory expedition to Mars in… Read More »
ZERO DARK THIRTY
ZERO DARK THIRTY starts, tellingly, with a dark screen and audio clips from 9/11. Air traffic control chatter, 911 calls, and the anguished, astonished voices of people who have no frame of reference for what is happening to and around them. In doing so, the film compels the viewer to relive that day not with… Read More »
A MOST VIOLENT YEAR Is A Most Excellent Film
A MOST VIOLENT YEAR begins, appropriately enough, with its protagonist, Abel Morales (Oscar Isaac) running. Though this is merely jogging through the snowy landscape of 1981 New York, he will spend the rest of the film running more purposefully either literally, figuratively, or both, as he scrambles to overcome fate and the fickleness of human… Read More »
MAMA
MAMA is an imperfect horror film, but one that is highly effective in the moment. Stressing suspense over gore, it is blessed with an original story, elegant direction, a gifted cast, and a suitably unsettling subtext about the pleasures and perils of childhood. Specifically, the vulnerability of children negotiating an adult world that has fallen… Read More »