It feels like the right thing to do when reviewing MEGALOPOLIS: A FABLE is to wait for the director’s cut. It’s an impulse as fractured as the film itself considering that Francis Ford Coppola sank his own money into making this film and thereby had final cut. Still, for all the disjointed execution this frustrating… Read More »
ASTEROID CITY
Wes Anderson’s ASTEROID CITY presents us a dream within a dream as it ponders our place in the cosmos by setting its story in three separate realities that bump into each other the way subatomic particles swarm around an atomic nucleus. Is it synchronicity or chance or some other cosmic law of which humanity is… Read More »
FANTASTIC MR. FOX
For years, Wes Anderson has created separate cinematic universes, different but oddly familiar, in which to tell his offbeat tales of family dynamics. In FANTASTIC MR. FOX, he has taken the next logical step and created an actual alternate reality. Using stop-motion animation, and a tale of excesses unbound by Roald Dahl, he has concocted… Read More »
SHOPGIRL
In the voice-over narration Steve Martin reads at the beginning of SHOPGIRL, based on his novella and for which he provided the screenplay, he informs the audience that the eponymous wage-earner of the piece, Mirabelle Buttersfield (Claire Danes), is special, if only people would realize it. He also informs us that she came to Los… Read More »
MARIE ANTOINETTE
The first image in Sofia Coppola’s latest film is of title character, MARIE ANTOINETTE, having a slipper put on her dainty foot by a servant as she dips her finger into the neon-pink icing of a multi-layer cake. She licks her finger, and then turns to look directly into the camera with a wink and… Read More »